THE CRIMEAN WAR
wards, suffering was at its worst and the need for help was greatest, there, as if by magie, was Miss Nightingale. Her superhuman equanimity would, at the moment of some ghastly operation, nerve the victim to endure and almost to hope. Her sympathy would assuage the pangs of the dying and bring back to those still living something of the forgotten charm of life. Over and over again her untiring efforts rescued those whom the surgeons had abandoned as beyond the possibility of cure. Her mere presence brought with it astrange influence. Apassionate idolatry spread among the men: they kissed her shadow as it passed. They did more. "Before she came," said a soldier, "there was cussin' and swearin', but after that it was as 'oly as a church." The most cherished privilege of the fightingman was abandoned for the sake of Miss Nightingale. In those "lowest sinks of human misery," as she herself put it, she never heard the use of one expression "which could distress a gentlewoman."
She was heroic; and these were the humble tributes paid by those of grosser mould to that high quality. Certainly, she was heroic. Yet her heroism was not of that simple sort so dear to the readers of novels and the compilers of hagiologies*) — the romantic sentimental heroism with which mankind loves to invest its chosen darlings: it was made of sterner stuff. To the wounded soldier on his couch of agony she might well appear in the guise of a gracious angel of mercy; but the military surgeons, and the orderlies,2) and her own nurses, and the "Purveyor," and Dr. Hall, and even Lord Strafford himself could teil a different story. It was not by gentle sweetness and womanly self-abnegation that she had brought order out of chaos in the Scutari Hospitals, that, from her own resources,
1. hagiology: [hcegï'obdzï]: a work on the lives of saints.
2. orderty: short for orderty officer, officer of the day.